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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 5<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n ECCI00009421, CH040<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 20<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n ECCI00314849, CH003<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00015648, CH072<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 19<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00011235, CH109<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 2<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n ECCI00011314, CH003<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017281, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017279, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 3<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Bali Story<\/p>\n <\/div>\n ECCI00017285, CH154<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 13<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n ECCI00314850, CH003<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 4<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Limelight<\/p>\n <\/div>\n ECCI00004826, CH041<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Tamerlain<\/p>\n <\/div>\n ECCI00029069, CH220<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 4<\/p>\n <\/div>\n <\/div>\n Soggetto<\/p>\n <\/div>\n Tamerlain<\/p>\n <\/div>\n ECCI00029045, CH187<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n To make her understand and to recall [...]\/[Charles Chaplin]<\/h2>\n\n
White Lily\/by Major R.V.C. Bodley<\/h2>\n\n
[Appunti] A native princess of Bali is sent by her people to the States [...]\/[Charles Chaplin]<\/h2>\n\n
A small Island in the Hebrides [...]\/[Charles Chaplin]<\/h2>\n\n
The Southern Cross\/Charles Chaplin<\/h2>\n\n
No wonder Mana [...]\/[Charles Chaplin]<\/h2>\n\n
The story is as follows [...]\/[Charles Chaplin]<\/h2>\n\n
The story is laid in one of the islands of the archipelago of the East Indies [...]\/[Charles Chaplin]<\/h2>\n\n
A Certain Man Made A Feast\/by R.V.C. Bodley<\/h2>\n\n
Charlot was once a famous ballet dancer [...]\/[Charles Chaplin]<\/h2>\n\n
Daghoff tells Paulette that to save the company from bankruptcy [...]\/[Charles Chaplin]<\/h2>\n\n
Dialogue 1 [...]\/[Charles Chaplin]<\/h2>\n\n
Najinsky has sacrificed his health to dance [...]\/[Charles Chaplin]<\/h2>\n\n